Not a lot has changed since: the same proper pagination, the same format, the same twelve point Courier font (the Courier Final Draft font was built specifically for this purpose), and keeping to approximately one minute of screen time for every written page is still important. So whatever country you’re in, if you’re using Final Draft, you know you’re using the industry standard.įinal Draft formatting has its roots in the studio script standards established over one hundred years ago. There are dictionaries in English (U.S., Canada, and British), Catalan, Danish, Dutch, French, German, Swiss-German, Italian, Norwegian, Portuguese (Brazilian and European), Spanish, and Swedish. Not in Hollywood? Final Draft is still the standard and used professionally all over the world, including the United Kingdom, Canada, Australia, Germany, France, and over 60 other countries. Screenplays written in Final Draft in our FDX format are ready for professional use. They’re often retyped or must be converted to a proper FDX to get them ready for production. Scripts written with a regular word-processing program or a free web-based screenplay template can’t be used in professional film productions. The very fact that you purchased a screenwriting program tells industry professionals that you take your craft seriously and are familiar with and utilizing the very same tools they use.īut which screenwriting program should you invest in? Ideally, it should be the one that is used by most professionals in the industry, right?įinal Draft: The professional screenplay formatter An investment in something tangible, as well as an investment in yourself and your career. To ensure this doesn’t happen, your best option is to invest in a professional screenwriting program and use it to write your script. A skeptical reader will consider the script “amateurish” or “unprofessional”, and that’s all before they even dive into your story and characters. If an agent, manager or producer read a screenplay that isn’t formatted to industry standards, you’ll instantly be creating an obstacle for yourself. Whether or not it measures more nuanced forms of inclusivity like intersectionality, gender identity and cultural authenticity are yet to be determined, but it is an ideal jumping off point for measuring inclusive storytelling as it always starts with the script.You might think simply using a word-processing program on your computer will do the trick, but this isn’t advisable if you want to be professional -never give readers a reason to say “no”.Īlthough a word-processing program does include some basic formatting tools (fonts, styles, spellcheck, etc.), it doesn’t offer the formatting tools specifically tailored for the film and television industry. This is an interesting feature for Final Draft and comes at a time when representation is paramount in TV and film. Madeline Di Nonno, Institute CEO said, “Our data and turn-key research tools have always been the best solution to help our entertainment and media partners make informed business decisions in order to advance onscreen gender equality and intersectionality in the stories they create.” When technology works for the betterment of our industry, we all win.”ĭavis added, “We believe Final Draft’s new Inclusivity Analysis feature will make it easier for readers, writers and creative execs to more easily use a gender and intersectionality lens when evaluating scripts prior to greenlight, casting and production.” “We’re extremely proud to have worked with The Geena Davis Institute on Gender in Media in creating something that helps our industry measure the inclusive attributes of a screenplay so that we are shaping scripted entertainment that includes and reflects all of us. “As our industry tackles issues of diversity and inclusion, the Inclusivity Analysis feature makes assessing our progress easy and seamless,” stated Scott McMenamin, President of Final Draft. As SCOTUS Tackles Affirmative Action, The Film Academy Should Keep A Wary Eye Out
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